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Sabrina Carpenter To Produce, Star in ‘Alice In Wonderland’ Musical Reimagining For Netflix

The team behind ultra-popular Netflix dance movie Work It will re-team for a musical reimagining of popular storybook fantasy Alice in Wonderland.

Sabrina Carpenter will star in Alice and will also be producing under her newly launched At Last Productions banner. Carpenter previously served as an executive producer on Work It, but Alice will be the first project under the shingle.

The movie will be a contemporary take on the classic Lewis Carroll story. While details are being kept under wraps, the modern-day musical will be set against the backdrop of a music festival called “Wonderland.”

Ross Evans, who has original musical Catch the Moon set up with Dan Lin’s Rideback Pictures, will pen the original screenplay.

Along with Carpenter, Leslie Morgenstein and Elysa Dutton are producing for book-to-screen banner Alloy Entertainment. Alloy was behind Work It, and also works with the streamer on popular series You.

Carpenter, repped by Paradigm, Foundation Media and Goodman Genow, previously worked with the Netflix on family film Tall Girl, with her other feature credits including 20th Century Fox’s The Hate U Give. The multihyphenate, who recently made her Broadway debut in Tina Fey’s Mean Girls musical, will next be seen in Disney+ feature Clouds, due out this month.

Evans is repped by WME, Management 360 and Hirsch Wallerstein.

Read more at the source.

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Clouds Release Date

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Sabrina Carpenter Would Love To Return To ‘Mean Girls’ On Broadway After Pandemic

Sabrina Carpenter wants to go back to Broadway!

In a new interview, the 21-year-old actress and singer says she would love to reprise the role of Cady Heron in Mean Girls when Broadway is back in action.

If you didn’t know, Sabrina was starring in the show when Broadway shut down due to Coronavirus, and she was only able to perform two shows.

“For my personal situation, not comparing it to the rest of the world, which has also been a huge bummer,” Sabrina told AP. “It was two heavy months of really, really tough rehearsals into going to do two shows, and then having a very long break. Now at this point, I feel for the Broadway community that’s definitely at a stand still for the longest that they’ve ever been.”